We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of New South Wales stands.

Film series: Wild in the streets 5 August – 30 September 2015

An immense crowd of people in a square raising their fists in the air.

Still from Attica, 1973

Portraits of social and political struggle

Wild in the streets offers a powerful overview of cinema’s engagement with social struggle and revolutionary culture.

From a big-budget historical epic depicting the 1860s coalminers strike in northern France – Germinal (1993) – to a made-on-a-shoestring documentary exposing opposition to the Vietnam War by African Americans – No Vietnamese ever called me nigger (1968) – this is a collection of bracing portraits of rebellion and resistance. It includes some of the most powerful films ever made about political and humanitarian struggle – whether fiction or documentary or provocative hybrids of the two.

Drawing us into the experience of pacifists, grassroots activists, peaceful resisters, political manipulators, agitators and revolutionaries, the series screens at the Art Gallery of New South Wales from 5 August to 30 September 2015, in conjunction with the exhibition See You at the Barricades. It offers human portraits of individuals who have banded together – shrewdly or misguidedly – in their attempts to improve their lives and the lives of others and reveals the mixed outcomes of many of their battles.

Films

  • 5, 9 August – Misère au Borinage (directors Henri Stork, Joris Ivens, Belgium, 1933, 35mm) + Strike (director Sergei Eisenstein, USSR, 1924, 35mm)

  • 8 August – Underground (directors Emile de Antonio, Mary Lampson, Haskell Wexler, US, 1976, 16mm)

  • 12, 16 August – Germinal (director Claude Berri, France, 1993, 35mm)

  • 15 August – The patriot game (director Arthur Mac Caig, Ireland/France, 1979, 16mm)

  • 19 August – Rocking the foundations (director Pat Fiske, Australia, 1985, 16mm)

  • 22, 23 August – Attica (director Cinda Firestone, US, 1973, 16mm)

  • 26, 30 August – The coward (director Jiří Weiss, Czechoslovakia, 1962, 16mm)

  • 29 August – The 17th parallel (directors Joris Ivens, Marceline Loridan Ivens, France, 1968, 16mm)

  • 2, 6 September – Daens (director Stijn Coninx, Belgium, 1992, 35mm)

  • 5 September – Town bloody hall (directors DA Pennebaker, Chris Hedegus, US, 1979, 16mm)

  • 5 September – Red Matildas (directors Sharon Connolly, Trevor Graham, US, 1985, 16mm)

  • 9, 13 September – The battle of Algiers (director Gillo Pontecorvo, Algeria/Italy, 1965, 35mm)

  • 12 September – Ice (director Robert Kramer, US, 1969, 16mm)

  • 16, 20 September – Paradise now (director Hany Abu-Assad, Palestine, 2005, 35mm)

  • 19 September – Lousy little sixpence (director Alec Morgan, Australia, 1983, 16mm)

  • 19 September – No Vietnamese ever called me nigger (director David Loeb Weiss, US, 1968, 16mm)

  • 23, 27 September – If… (director Lindsay Anderson, UK, 1968, 35mm) + Zero for conduct (director Jean Vigo, France, 1933, 35mm)

  • 30 September – The hungry miles (directors Keith Gow, Jock Levy, Norma Disher, Australia, 1955, 16mm) + Kemira: diary of a strike (director Tom Zubrycki, Australia, 1986, 16mm)

  • 30 September – Friends and enemies (director Tom Zubrycki, Australia, 1987, 16mm)

Several women hold a large banner between them. On the banner are cursive lettered words in French. A crowd stares at them.

Still from Misère au Borinage, 1933

A person wearing a train driver's cap looks at something with their mouth agape.

Still from Strike, 1924

A crowd of people all with their right hands raised.

Still from Germinal, 1993

A person with medium brown skin, an afro and a bandage on their forehead is speaking.  Close behind them are several people.

Still from Underground, 1976

A person with long hair and an open mouth stands high above a crod of protestors.

Still from The patriot game, 1979

Three police officers viewed from behind.

Still from Rocking the foundations, 1985

An immense crowd of people in a square raising their fists in the air.

Still from Attica, 1973

A person in a knitted shawl looks over their shoulder. In the background is a bare tree and a meadow.

Still from The coward, 1962

A group of people pulling a cart up a dirt road. Other people in the street are walking behind the cart or looking on.

Still from Daens, 1992

Two people sitting. One person has a microphone in front of them. The other is leaning back and laughing.

Still from Town bloody hall, 1979

A person holding up a newspaper with the headline 'Labor dispute still unsolved'

Still from Red Matildas, 1985

A close up of a person's eyes and nose peering from behind a rough surface.

Still from The battle of Algiers, 1965

A person seated, aiming a gun to their left.

Still from Ice, 1969

A person in a suit is running through a field of long grass.

Still from Paradise now, 2005

A person with medium dark skin marches next to someone holding up a protest placard. The placard reads 'They are brothers whom we kill. Stop the war now!'

Still from No Vietnamese ever called me nigger, 1968 

Two people sitting on gables. One of them holds a machine gun.

Still from If..., 1968 

A person drawing a skull and crossbones on a piece of fabric.

Still from Zero for conduct, 1933

Five workers wearing hard hats gaze at something to the right of the frame.

Still from Kemira: diary of a strike, 1968

A police officer holds a person in a suit by the elbow. Behind them is a large crowd.

Still from Friends and enemies, 1987