We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of New South Wales stands.

Film series: Modern city 3 July – 6 October 2013

A person in a suit viewed from behind. They are standing on a scaffold next to a ladder, high above a cityscape.

Still from The naked city, 1948

The 20th-century shift to city life

In the 20th century, cities grew more than ever before. Innovations in construction – such as the use of structural steel framework and the electric elevator – resulted in the evolution of the skyscraper. The rise of urban populations led to the construction of electric railways, bridges, department stores, cinemas and factories. Mass-production created cars and new house-hold appliances. But as the modern city rapidly transformed, inherent problems threatened the quality of urban life. The rapid increase in population led to ‘clean-sweep' planning, enormous pressure on surrounding environments, urban decay and social and economic troubles.

Screening at the Art Gallery of New South Wales from 3 July to 16 October 2013, this series of documentaries, feature films, short films and newsreels traces the evolution, transformation and contradictions of the modern city – from classics that lampoon the mechanisation of life in the modern age, such as Charlie Chaplin’s Modern times (1936) to more recent portraits of the urban experience like Wim Wenders’ Tokyo-ga (1985). While the City Symphonies of the 1920s and 30s celebrate urbanism, the more sinister aspects of city life are explored in film noirs such as Robert Siodmak’s Cry of the city (1948) and in documentaries on the threat to Sydney’s heritage in the 1960s.

Some screenings in Modern city will be preceded by vintage Sydney newsreels, especially those reporting the construction of the Harbour Bridge; others by a short introduction by film historians.

Films

  • 3, 7 July – Man with a movie camera (director Dziga Vertov, USSR, 1929, 35mm)

  • 10, 14 July – Sydney’s harbour bridge (director Lyn Maplestone, Australia, 1932, 35mm) + Modern times (director Charlie Chaplin, US, 1936, 35mm)

  • 17, 21 July – A propos de Nice (director Jean Vigo, France, 1930, 35mm) + Cine Gazette No 12: The elephant will never forget (director John Krish, UK, 1952, 35mm) + Nice time (director Alan Tanner and Claude Goretta, UK, 1957, 35mm) + Steady! (Houen zo!) (director Herman van der Horst, Netherlands, 1952, 35mm)

  • 24, 28 July – Cry of the city (director Robert Siodmak, US, 1948, 35mm)

  • 31 July, 4 August – The naked city (director Jules Dassin, US, 1948, 35mm)

  • 7, 11 August – Double indemnity (director Billy Wilder, US, 1944, 35mm)

  • 14, 18 August – Pick-up on South Street (director Samuel Fuller, US, 1953, 35mm)

  • 21, 25 August – The sleeping city (director George Sherman, US, 1950, 35mm)

  • 28 August, 1 September – Where the sidewalk ends (director Otto Preminger, US, 1950, 35mm)

  • 4, 8 September – Terminus (director John Schlesinger, UK, 1961, 35mm) + Every day except Christmas (director Lindsay Anderson, UK, 1957, 16mm)

  • 11, 15 September – London can take it (director Humphrey Jennings, Harry Watt, UK, 1940, 35mm) + London (director Patrick Keiller, UK, 1994, 16mm)

  • 18, 22 September – Lift to the scaffold (director Louis Malle, France, 1958, 35mm)

  • 21 September – Tokyo-ga (director Wim Wenders, Germany, 1985, 35mm)

  • 25, 29 September – Heatwave (director Phil Noyce, Australia, 1981, 35mm)

  • 2, 6 October – Rocking the foundations (director Pat Fiske, Australia, 1985, 35mm)

A compsoite image of people walking down two sides of a street.

Still from Man with a movie camera, 1929

A man with a toothbrush moustache lies on top of a large cog.

Still from Modern times, 1936

A silhouette of a person in profile holding a receiver. Behind them is a harbour with steam ships.

Still from Steady (Houen zo!), 1952

Close-up of a person smiling holding a telephone receiver to their ear.

Still from Cry of the city, 1948

A person in a suit viewed from behind. They are standing on a scaffold next to a ladder, high above a cityscape.

Still from The naked city, 1948

A person wearing a suit holds a glass and a cigarette. Behind them is another person standing behind a door.

Still from Double indemnity, 1944

Two people embrace one another.

Still from Pick-up on South Street, 1953

Two people standing opposite one another. The person on the right looks at the person on the left, who is looking away.

Still from The sleeping city, 1950

Four people wearing hats and coats looking at each other. A person on the right is holding something out to the person in the middle.

Still from Where the sidewalk ends, 1950

Two sailors bending their heads down to light cigarettes.

Still from Terminus, 1961

a person with short dark hair reaches their left arm out to a large surface in front of them.

Still from Every day except Christmas, 1957

A group of people viewed from behind are standing in the middle of a barricaded road. In the ditance are tall buildings.

Still from London, 1994

A busy city road at night on which cars are bumper-to-bumper.

Still from Tokyo-ga, 1985

Two people with short curly hair sit at a bar with glasses of beer.

Still from Heatwave, 1981

Three police officers viewed from behind.

Still from Rocking the foundations, 1985